
It also features three other characters almost exclusively in daylight – Fry’s geek squad technician Angel Torres ( Brandon Perea), intense cinematographer Antlers Holst ( Michael Wincott), and theme park cowboy Ricky ‘Jupe’ Park ( Steven Yeun). Nope doesn’t fit neatly into either extreme, and doesn’t remain in the darkness for long. The UFO film canon has set my expectations somewhere between “they blow up the White House and then the US military blows them up” and “they show up for a quick reveal/abduction, then roll credits”. And yet, as I attempt to compare Nope to other alien flicks, I find that this comparison really only applies to the first two acts, with alien imagery flitting back and forth just out of view in darkness. Night Shyamalan‘s 2002 alien invasion film Signs before the first UFO skitters across the sky, but it is only part of the backdrop of this film. Nope sets the stage with a multilayered family drama that calls to mind M. Emerald, meanwhile, bookends her briefing with a plug for all of her other entertainment projects, and tells OJ in no uncertain terms that she’s only sticking around for the side hustle of her family’s show-horse business – her prior involvement having been spurned by their late father – out of loyalty to her brother. This is not the opening scene of the film – that one features the unlikely appearance of a blood-soaked chimpanzee – but it surely sets the tone for what will follow, because OJ spends most of the film acting comfortable around horses but uncomfortable in the life he has inherited (although his official orange crew hoodie from The Scorpion King still looks cozy after two decades). ( Daniel Kaluuya) stands awkwardly off to the side, having just failed to command the attention of the cast and crew delivering the same speech, chiming in only once to correct the number of times Emerald should say “great” before “grandfather”, because Emerald, the showier of the pair, clearly learned this speech verbatim from their late father Otis Sr.

Emerald has been around horses and film production all her life, she explains, being the descendant of jockey Gilbert Domm, who appeared in an 1878 prototype zoopraxiscope film consisting of 24 still photos of Domm galloping on horseback. At the start of Nope, horse trainer Emerald Haywood ( Keke Palmer) appears on a commercial set to give a well-rehearsed spiel and safety briefing about being on-set with a live animal.
